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The Lotz Hitty Pages
Pioneer Hitty Doll Artists
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Copyright © 1996+   Jean D. Lotz      Last Updated: 06/17/06

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Early Carved Hitty Reproductions and Pioneer Hitty Doll Artists

Pioneer Hitty Doll Artists:

  • ????: The Original Hitty was carved
  • 1933: Doris Hupp (deceased) created one Hitty doll.
  • 1935: Ella Pfingsten (deceased) created one Hitty doll - need a better photo
  • ????(+) Sherman Smith (deceased) - need photo
  • 1947: Elizabeth Hart Bennett (deceased) created one Hitty doll as a gift for Jana Lowsma
  • 1952: Fawn Zeller (NIADA-deceased) created one Hitty doll.
    Some doll experts have questioned if Fawn's Hitty doll was really carved from wood or created in some type of composition. Fawn Zeller's Hitty is shown and described as "Fawn's only wooden doll" in the book, "Fawn Zeller's Porcelain Dollmaking Techniques" by Sybill McFadden. Sybill stated that Fawn carved other substances trying to find a workable medium before doing the Hitty.
  • 1952(+): Helen Bullard (NIADA-deceased) created a series of Hitty dolls that she first named "Abby" then "Hitty"
  • 1957: mystery artist created Martha Cramer's "Mystery Hitty". Was this made during Helen Bullard's UFDC Hitty carving workshop?
  • 1979: Roy Sterrett created the UFDC Rapid City Regional Souvenir Hitty
  • 1965: Kimport Hitty carved by Sherman Smith but painted and dressed by Kimport employees
  • 1970: The Enchanted Doll House Hitty

HITTY GALLERY - Pioneer Hitty Doll Artists

Doris Hupp

Hitty by Doris Hupp
use of photo permitted by Theriaults

Doris Hupp made one Hitty doll. Some sources date this Hitty in 1931. This may have been the year that Doris started making the Hitty since it takes at least 2 years to dry mountain ash wood enough to carve it.

Doris was an art teacher who created this Hitty as her contribution to one of her class projects. She tried to encourage her students to make detailed miniatures and displayed their efforts proudly right next to her own very fine work.

I wonder how many people were inspired to create a Hitty doll because of Doris' sharing spirit?

Doris made this one-of-a-kind Hitty doll in 1933. Each object in the doll set is labeled with "Hupp.###.33" (#### = a sequential number). The set consisted of 5 complete outfits, a 1930 edition book signed "Doris Hupp" inside the cover, a sweet grass basket, and a note in Doris Hupp's handwriting, stating, 'This is Hitty. She and her costumes were made according to the descriptions of them in the book "Hitty" '.

After carving this doll, Doris was inspired by the book to start looking for a few dolls like those Hitty would have encountered in the book. Doris' doll collection became one of the largest private doll collections in the world. Two articles in a 1965 Woman's Day Magazine issue showcased Doris Hupp's doll collection.

This little Hitty also inspired Doris to create several other finely dressed original carved wooden dolls. Unfortunately, very few people (untill recently) could / would beleive that a woman was capable of carving! So some people simply ignored and dismissed Doris' artistic training and talent, then tried to credit her carving to her brother!

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Ella Pfingsten

Hitty by Ella Pfingsten
photo thanks to Ella's daughter and granddaughter
Ella Pfingsten created one Hitty doll in 1935. This little Hitty was made for one of Ella's daughters and this daughter still treasures her special gift. Carving this Hitty was the start of a lifetime of wonderful wood doll making for Ella.

Ella's Hitty was well dressed and Hitty could store her wardrobe in her own very special wooden box.

Ella carved many more dolls from broomsticks (some other storybook dolls) as children's toys, but she went on to make much larger and more elaborate "art dolls". She made a fabulous set of character dolls dressed in regional costumes. Some of her dolls were made with a likeness of friends, family, celebrities, and members of the local society.

Note: The submitted photo was badly out of focus.

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Elizabeth Hart Bennett
1947 Balsa Hitty
by Elizabeth Hart Bennett
A special Hitty made just for Jana Lowsma in 1947 by a family friend, Elizabeth Hart Bennett. Jana's doll is smaller than most Hitty dolls as you can tell in the photo where "Jana's Balsa Hitty" is standing with Jana's Lotz White Ash Hitty. The Lotz doll is 6-1/4" tall.

Jana describes her Bennet Hitty as follows:

"The little Hitty was made in 1947 by a family friend, she gave it to me for Christmas, with the book.  She had two outfits back then -- one made by our friend, Elizabeth Bennett and the other by her friend, Viola Preble.  The doll is balsa and therefore far from sturdy."

The little spot of brown wood grain on her forehead makes it look like this Hitty got a little "forehead marking" along with her coral beads during her travels to India.

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Helen Bullard

Hitty by
Helen Bullard
Photo thanks to
Barbra-Jean Male
In 1952 and for many more years, Helen Bullard made Hitty dolls. While Helen is best known as the founder of NIADA (National Institute of American Doll Artists), she was an organizer, business woman, and a prolific writer. According to her book "My People In Wood", Helen carved her first wooden dolls in 1949.

Starting in the early 1950's, Helen was one of the first doll artists to make her Hitty dolls commercially. The doll was called "Abby (Hitty)". They were made by Helen's Tennessee cottage doll industry. Ruth "Darcy" Williams was one of Helen's helpers in this small business, and was trusted with carving the heads of most of the dolls.

Helen's Abby (Hitty) stands 6-1/2". Helen quickly got her Hitty into production when she modified the smallest version of her "Holly dolls" (which were currently being produced) by painting Hitty's hallmark curls on the doll's forehead. After dressing the doll appropriately, Helen Bullard's Hitty was born.

But a few Bullard Hitty doll are taller, and far out of scale to the description given in the book. These likely pre-date her 6-1/2" Hitty dolls. Helen probably was very eager to get some Hitty dolls made and on the market, perhaps before she read the Hitty book. She quickly and simply labeled a 10" Holly doll with the name, "Hitty", on the back. This proto-type didn't even have Hitty's characteristic forehead curls and didn't have a special Hitty dress.

Helen Bullard was an early avid supporter of UFDC. She was the editor of Doll News for the years 1959-1960 and she taught a workshop at an early UFDC convention. According to DOLL NEWS Summer 1999 "Reflections on UFDC Conventions" by Jan Quisenberry:

"The (UFDC convention) workshops have always been fun. One year Helen Bullard gave a workshop on making wooden dolls. For $12.00 you received a wooden blank to make a jointed Hitty doll and Helen helped you finish it. Wouldn't it be fun to find one of those today?"

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Kimport Hitty
Kimport Hitty
photos thanks to Martha Cramer
In 1965, Kimport Hitty was carved by Sherman Smith but painted and dressed by Kimport employees.

Note from Martha Cramer, "Here is the one he made for Kimport that was painted by other people. She is marked 'S. Smith 10/22/66' in green ink. The original dress has lost its black velvet sash. Arms are Larry Tycksen replacements."

"Doll Talk Ads" featuring the Kimport Hitty
Thank you to the many Hitty collectors who sent me copies of "Doll Talk" magazine ads for that they collected with their Kimport Hitty.
~ DATED MATERIAL FROM 1965 ~
From Kimport's "DOLL TALK" Sept-Oct 1965 Vol 16 #2

"HITTY Her First Hundred Years" Of course, Hitty was a doll, else why should she rate the raves Doll Talk presents in her behalf. The first two hundred page volume of Hitty came off MacMillan's presses in 1929, such a fascinating, profusely illustrated juvenile book that more than twenty editions followed! Authoress Rachel Field was awarded the John Newbery Medal for Hitty in 1930.

Into our own Kimport library volume, there has been placed her treasured letter, written in October of 1939 - "Dear Mrs. McKim - Thank you so much for the charming copy of Doll Talk. I was delighted to have "Hitty" represented in it. No there is no such thing as a "Hitty" doll. She is too difficult to copy and to catch her character of expression; each doll would have to be done by an expert woodcarver, and so she could never be reproduced commercially."

That, and the proper painting seemed insurmountable, and we will admit coming up with several "dry runs", but now, at last, we have the Hitty of which we are really proud!

Proper size, six inches tall, all wood, with jointed hips and knees, elbows and shoulders. You will admire the carved-in sausage curls, sharp little nose and hands with old time separate thumbs all carved and jointed to perfection by Mr. Sherman Smith of Utah, so signed on all back shoulders. The painting was done professionally at Kimport to closely portray the many book. Properly dressed in pink print calico with nice old linen lace, black velvet sash, and socks just painted blue. How we now wish there was still a Mrs. Rachel Field Pederson to whom we might send one! We feel assured this version of her classic would satisfy the strictest of requirements!

NOTE: In 1965 The Kimport Hitty sold for $18.50.


~ DATED MATERIAL FROM 1967 ~
From Kimport's "DOLL TALK" Mar-Apr 1967 Vol. 16 #11

"A GOOD MODERN WOODEN" Mr. Sherman E. Smith of Utah carves and constructs jointed wooden dolls. For Kimport, he does the six-inch story book little "Hitty", jointed at shoulders, elbows, hips and knees.

When we suggested a change in one proportion, instead of cutting us off with a shilling" - Mr. Smith wrote, "I, too, think Hitty is better now, and don't you ever hesitate to be "fussy". I am so "fussy" and glad that you doll people help to keep me on the ball. Your criticism can be helpful, so thanks, both for it and the check!"

Hitty is painted and dressed at Kimport, copying as nearly as possible, her pictures which illustrate Rachel Field's delightful prize winning book printed in 1929.

NOTE IN 1967 The Kimport Hitty sold for $18.50.

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1970: The Enchanted Doll House Hitty

The Enchanted Doll House Hitty
photo thanks to
private collection
The 1970 Enchanted Doll House Hitty is a simple turned doll with cup shaped hands and white shoes.


A 1970 Advertisement For The Enchanted Doll House Hitty

photo thanks to private collection

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OLD MYSTERY HITTY DOLLS


Possible Early Hitty
photo thanks to Melanie Smith
Is this a Hitty doll?

The owner of this doll believes that this doll represents Hitty. This primitive wood doll might be an early attempt to carve Hitty. The lumpy curls on the sides of the hair and the uneven hair line might lead one to make this assumption.

I have no clue why there is a hold drilled through her chest unless she was used as a "dancing doll on a stick" at one time.

She has no painted facial features. Did the carver give up on this doll before painting the features or was she quickly repainted? The lower left arm is missing but it can be replaced easily.

I find this doll very strange because she is so extraordinarily thin. This doll looks almost like a wafer from the side view.

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Mystery Hitty from 1957
Could this 1957 Hitty doll be a Helen Bullard UFDC Hitty Workshop Kit Doll?


1957 Hitty Doll
photo thanks to Martha Cramer
I think this doll is supposed to be a Hitty doll. Although at 7" tall she is too tall for a correct Hitty, she has a strong resemblance to Hitty in the lumpy hair, the shape of her hands, the black boots, the style of both her pantaloons and dress.

She is strung together with string. Perhaps the maker didn't know the details of peg wooden doll construction or didn't have the tools, or skill so the string was a workable substitute. Also she does NOT have a Hitty chemise. Perhaps her chemise was never made or lost along the way.

She was created by an unknown artist. The inked inscription on her back looks like "Jan Fer '57" or "Janler '57". If you know anything about this doll, then please email Jean Lotz.

More Photographs:
large close-up of face    |    full-length view    |    back with inscription

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The Lotz Doll Pages are brought to you by Jean Lotz.
Jean Lotz is an accomplished wood doll sculptor and author. Lotz dolls are found in museums and fine collections. Jean's articles have been published in doll and miniature collecting magazines and online. Jean has received accolades for her in-depth research of wooden dolls, and her sensitive biographies of fellow artists.

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